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The Bride by Gertrude Kasebier via here |
A few months back, I decided to join in on the book club
Read With Me La Porte Rouge. For a while, I've wanted to be part of a book club but for one reason or another hadn't found the time or the right group, so I was excited when I came upon this book club, started by Nadia at
La Porte Rouge, that focuses on classic literature that we could all blog about on our own time. This month's selection:
Tess of the D'Ubervilles by Thomas Hardy.
Having never read Hardy before, but being an admirer of Victorian era literature, I was eager to engross myself in this story of feminine woe and love's misfortune. From the very onset, Hardy is honest with his reader, writing descriptions with grave overtones and unhappy foreshadowing for our heroine Tess; for there really is not much good that comes to her. But it is not the tale's misfortune for which I kept reading through the most difficult of passages, but the hope for better things to come, the hope Tess found in her love for Angel.
The novel was largely viewed as a commentary on the social restraints of the Victorian era, but what I enjoyed the most was the over arching theme nature played throughout the story, whether good or bad. From the misfortune of the death of the family horse, Prince, and the wooded foggy area where Alec D'Uberville preys upon Tess to the lively milk cows and the fertile valley of the dairy farm where she falls in love with Angel; there isn't a page without description or reference to the natural world around her. In my mind's eye, so much of the nature around Tess affected how I imagined the story in my head; sort of like in The Wizard of Oz, Tess' life without Angel is all nature in black and white, but her life with him is nature in astoundingly bright technicolor.
I've gathered some images, that for me, capture the images and feelings I had while plowing through the emotional heaviness of this story.
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May Day celebration where Tess first spots Angel; via here |
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Returning home with child - field work, via here |
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Capture & Death, Stonehenge by Simon Marsden via art.com |